What they won’t be able to replicate is his talent for writing songs that make loss sound so goddamned irresistible. When the Singularity occurs, don’t be surprised if the robots adopt Ben Gibbard’s emotionally detached voice. “Here’s to just trying to stay alive,” she basically sings on this year’s comeback single, which details a low moment in her struggle with Lyme disease when she had “accepted death.” Lavigne is not quite the same artist we left back in 2013: She’s trading Hot Topic for flowing Galadriel gowns, spiky guitars for pianos and strings - could she make it any more obvious? Yet her dispatch from a dark spot is as just arresting as her drunk-on-whatever misadventures, and her lyrics about turning to God in a time of crisis have made “Head Above Water” the unlikely center of the Sk8er-girlz-and-Christian-radio Venn diagram. “Here’s to never growing up,” Lavigne sang five years ago on her last studio album. The song’s multi-layered identity is matched by the scale of its lyrics: the story of a man grappling with ego and materialism, weaving between visions of his funeral, biblical references and a romantic power struggle. trio Young Fathers have been chipping away at genre restrictions since their 2013 debut, and on this advance single from their third LP, Cocoa Sugar, they blend pop, gospel, hip hop and rock until it all folds into an undefinable-but-all-consuming three minutes and 15 seconds. She posses a voice that can be defiant and caressing a style that traverses rap, pop and R&B and enough cross-over appeal to snag a coveted performance slot at this year’s MTV Video Music Awards. - LEILA COBO Reyez got us from the first line of this statement of romantic independence: “You don’t have to tell me ’bout your body count/ I don’t need to know your exes’ names.” Born in Canada to Colombian parents, Reyez explores all levels of emotion on her piercing acoustic jam.
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